Both the chants (Oli), and the traditional dance performances (Hula), have a direct correlation to the Huna system in that they focus each dancer as well as the audience on the essential unity underlying all existence.

Even though Hula nowadays also encompasses a number of modern renditions that are sometimes held more in the spirit of entertainment (think Elvis in Hawai’i), the deep roots of tradition, and the spiritual aspects are still nearly always present.

Similar to the ceremonies of e.g. Zen Buddhist monks, the individual participant is meant to “see the picture” of the whole, and perform in unison within that picture. All while telling the important stories of Hawai’ian history both physically and through sound, often on multiple levels of meaning, including deeply spiritual ones.

In addition, the tones and vibrations of the chants themselves are meant to prepare and “set right” the energy for whatever the object of the particular performance may be.

Enjoy the video of this great performance during the Merrie Monarch Hula Festival in Hilo on the Big Island of Hawai’i. Notice “the picture” moving in exquisite unison:

Notice the famous entrance chant “Ho’opuka” (1:10 in), which translates to “Make a hole in the sun, and find the light behind the light” at the spiritual translation level. It has traditionally been used in all situations of entrance or beginning to set the energy right for what is to follow.

Found another great one here, this is also very traditional and in a more raw setting than at the festival. Masterful drumming on the Ipu heke (gourd drum):

The dancers in a Hula Halau (school) such as these have likely been dancing since they were about 3-5 years old, and practice for many years before they are ever allowed to perform in a more public performance. Their dedication is simply incredible.